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HWORDE is a brief incantatory house of the opus, its salient bidder openly buries and consecrates the authorial regime of identity with the recess of inauthentic compositional processes and exhumatory reformation ordered towards the sonic and linguistical disintegration of discourse.
Rebuking the alumnus axis and pre-determined obsolescence, we have had enough of this meek paradigm of the loci and word, enough of the coutured decadences of vain lexicons and the celebrated hype-o-crises over critical and anthropic analysis. Observe how the worldly orb sickly intoxicates itself with grossly individualized spheres and trending dogmas of thought. We will take a steeper and more salutary path, a profoundly ciphered descent, where there is primordial silence to hear yourself think, where by the inverted and corridored pillars of the crowded misauthorial mine, it is not you thinking at all, but something else, a faint lore of refraining entities. Here is the time for a new breed of pragmatic articulation, a swarmic reverb sprung from the easements of diamantine scroll, unground occluded in the self inaugurating shell games of our slain trinity with religion science and philosophy, ignored by their own ingrown polyamorous offspring of canons in the mock they call the humanities.
V and A diagram a motor. Water and air; involution and expansion; caverns and summits; hypogene and epigene; intension, extension, catastrophe, anastrophe. A hexagram stretched between the subducting bowels of the earth and the convecting promise of a darkening horizon. Such paradoxical alliances are enciphered in the sleepless piston of its dual-toothed sigil.
An upturned hourglass counting out a time of godless asymmetry.
As it is below, so it is above.